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Harry Caton

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Remember This – Crimson and Clover

Imagine you’re a boy band, circa-1968. Having fallen into a rut of bubblegum pop, three-chord progression, and so many other Monkees-adjacent hackeries, you start...

A Haiku encapsulating Exam Stress

A page sits, half-scrawled with ink; the slight silence plays host to a haiku.
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Review: Phantom Thread

When you use words like “elegant”, “exquisite”, and “sumptuous” to describe something, there comes an unavoidable sense of pretension that clouds all else. When...

Album Review: David Byrne – American Utopia

There’s something captivating in David Byrne’s spasmodic anxiety. You can find its eclectic manner in so much of the former Talking Heads’ frontman’s work,...
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Review: All the Money in the World

It’s a curious thing for a film to feel as if it’s been handled with stylistic competence and boast utterly exquisite mise-en-scène – and yet fail...

And the Oscar goes to… Netflix

With the advent of streaming services, the Academy’s reliance on cinema-screenings for awards qualification faces a crisis of legitimacy. It’s a bizarre kind of...

Remember This: Love & Mercy?

There’s a dryness to the musical biopic.  They’ll noodle through the same beats: childhood, fame, decline, and were they actually a bastard?  You can see...

Review: The Disaster Artist

Tommy Wiseau makes strange movies. Let me rephrase. Tommy Wiseau directs strange movies. What’s the difference? It’s a question that The Disaster Artist sets out to answer. “Based...