Kayleigh Swart, Print Screen Editor, discusses the controversies surrounding track-exclusive vinyl in light of recent events.
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Kayleigh Swart, Print Screen Editor, discusses the controversies surrounding track-exclusive vinyl in light of recent events.
Maya Fernandes, Online Music Editor, reviews the recent gig from San Francisco indie-pop band The Umbrellas at Exeter Cavern.
Gracie Moore, Online Arts and Lit Editor, reviews The 1975’s performance in Madrid on their tour, “Still… At Their Very Best.”
Amy Rushton, Online Comment Editor, reviews a live performance from Irish singer-songwriter CMAT in Amsterdam.
Kayleigh Swart, Print Screen Editor, discusses the controversies surrounding track-exclusive vinyl in light of recent events.
Maya Fernandes, Online Music Editor, reviews the recent gig from San Francisco indie-pop band The Umbrellas at Exeter Cavern.
Gracie Moore, Online Arts and Lit Editor, reviews The 1975’s performance in Madrid on their tour, “Still… At Their Very Best.”
Amy Rushton, Online Comment Editor, reviews a live performance from Irish singer-songwriter CMAT in Amsterdam.
Zandie Howells discusses the significance of album cover art, and how it contributes to the experience of a record.
Scarlett Cracknell, Print Music Editor, investigates the key question that arose from Dua Lipa’s recent interview with Rolling Stone.
Print Screen Editor, Kayleigh Swart considers the use of the term ‘industry plant’ and its impact on the music industry.
Emily Irving reviews The Wurzles live at The Fleece, Bristol
Maddie Conlan, Print Arts and Lit Editor, discusses folk singer Noah Kahan’s new collaboration with Sam Fender.
Isabel Bratt discusses Korean girl group (G)I-DLE’s upcoming album, 2 and what to expect.
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