• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Exeposé Online

Making the headlines since 1987

Exeposé Online
  • Freshers
  • Guild Elections
  • News
  • Comment
  • Features
  • Exhibit
      • Arts + Lit
      • Lifestyle
      • Music
      • Screen
      • Tech
  • Science
  • Sport
  • The Exepat
      • International
      • Multilingual
      • Amplify
  • Satire
  • About
      • Editorial
      • Editorial Team
      • Write For Us
      • Get In Touch
      • Advertise
Home / Screen

Review: Mad Max: Fury Road

by Screen

After years in development hell, Carmen Paddock reviews Max’s explosive return to the silver screen.

This reboot of the Australian cult post-apocalyptic franchise has become an internet cause célèbre in recent weeks due to the fact that it has enraged so-called ‘Men’s Rights Activists’.  Evidently they see the presence of female characters portrayed as equals to their male counterparts as incompatible with action films.

This even-handedness, however, is exactly what makes Mad Max: Fury Road stand head and shoulders above the competition; with a combination of compelling storytelling, spectacular effects, impeccable production design, excellent acting and the aforementioned gender equality, it may be the best film of the summer.

The titular hero is to Fury Road what Julius Caesar is to Shakespeare’s eponymous tragedy: not the focus of the plot. Through Max Rockatansky’s attempts to elude Immortan Joe’s clutches, he ends up joining forces with Imperator Furiosa, whose own personal quest drives the film.  Consequently, the film is centred around Furiosa and the people (mild spoilers: women) she is trying to help.

Charlize Theron has ferocity and nerves of steel concealing the passion for her cause and those she cares about.  She is a magnetic, fierce screen presence who would be more than capable of carrying the film without Max’s involvement.

However, the latter’s presence allows both to develop as ‘human’ characters instead of just showcasing their badassery (there is more than enough badassery in this film to go around). As Max, Tom Hardy swings between manic and stoic, but somehow the combination works for the obtuse, laconic fighter. The world design, effects, and score combined created an engrossing experience.  The effort and meticulous care which went into designing each vehicle, weapon, and costume was extremely thorough and striking.  The
pounding score compliments the visceral explosions, and neither are afraid of jarring the audience with screeching chords or gruesome injuries.

While action films are rarely celebrated when awards season comes around, Fury Road would not be out of place among the design and production nods. George Miller has yet again proved his directorial talents, proving that people are still raving mad about Max. Go see Mad Max: Fury Road right now. Seriously, you won’t regret it. What are you waiting for?

Carmen Paddock

mad-max-fury-road-970x0 - digital trends

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)

Related

Primary Sidebar

Recent Posts

  • Study suggests students consider dropping out because of cost-of-living crisis
  • University of Exeter announces new polar regions partnership
  • University of Exeter scientist wins astronomy award 
  • ‘Mighty’ Michael Van Gerwen takes Exeter by storm
  • Mother’s Day and its capitalist shadow
  • Comic Relief 2023: ideas for fundraising now and beyond
  • The future of libraries
  • Olympic chiefs face major questions over Russia’s participation in world sport

Footer

  • facebook-alt
  • twitter
  • instagram
  • linkedin
  • mail