Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
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Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
Carys Williams looks at the influential Hallie Rubenhold and her retelling of Jack the Ripper’s murders – focusing this time on the victims.
A look into this year’s MA Publishing book release: interviews, articles, and reviews all pertaining to the South West’s literary sphere.
Florence New discusses her favourite LGBTQ+ writer, Patricia Highsmith.
Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
Carys Williams looks at the influential Hallie Rubenhold and her retelling of Jack the Ripper’s murders – focusing this time on the victims.
A look into this year’s MA Publishing book release: interviews, articles, and reviews all pertaining to the South West’s literary sphere.
Florence New discusses her favourite LGBTQ+ writer, Patricia Highsmith.
Judy Dodd informs us of the latest update to the Art Council England’s relationship framework and what this could mean.
Amy Rushton, Online Comment Editor, discusses the recent news of a theft of a piece of Banksy’s art from a street in London.
Ellie McHale argues in defence of BookTok, its current and how it’s grown in popularity.
Sam Bovey considers which book releases in the upcoming year should not be missed, across a variety of genres.
Kayleigh Swart covers her 12 recommended reads for the festive period, to help you get in the mood for the season.
Eloise Grainger discusses Just Stop Oil’s attack on the arts and why art is used to make a political statement.
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