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Sundance 2018 – First Reformed – Review

How do I even start to review First Reformed? A dense thing, so much of it incurs the sort of sheer fascination that had...

Sundance 2018 – The Miseducation of Cameron Post – Review

Sometimes you just need a film that’s perfectly pleasant. That’s not to say it can’t be bold in that demeanour, possess genuine stakes, or...

Sundance 2018 – Leave No Trace – Review

For a film to tackle the numbing effects of post-crisis dissociation with its entire formal being should be laudable. Leave No Trace, however, falls...

Cine Queer Review: Kings, Queens & In-Betweens, and Venus

When defining drag, it seems there are many variations. To some, or the mainstream, drag queens are cis-males dressing as, and putting on the...

Rising Stars: Timothée Chalamet

Timothée Chalamet is fresh off the back of an incredible 2017 in which he starred in two Oscar nominated films. The 21-year-old’s breakout role...

“Did this film direct itself?”: The forgotten women filmmakers

"These four men and Greta Gerwig created their own masterpieces this year” were Emma Stone's words as she introduced this year’s nominations for the Best...

Berlinale: What to expect

As an aspiring film sales agent (or ‘movie mogul’ as my boyfriend prefers to call it), the Berlin International Film Festival is an overwhelming...

A night at the Oscars

Sunday 28 February marked the 88th Academy Awards ceremony, which took place in Los Angeles, USA. The heavily publicised awards ceremony saw a whole...

Against the Oscars

Unless you have been hiding under a rock for the last few months, you are probably aware that 28th February 2016 marks the 88th...

In defence of the Oscars

The Academy Awards, along with many other film awards around the world, including the BAFTAs and the Golden Globes, are unique opportunities for filmmakers...
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