• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Login/ Register
  • Editorial Team
  • Get Involved

Exeposé Online

Making the headlines since 1987

Exeposé Online
  • Home
  • News
      • Local
      • COVID-19
      • University News
  • Comment
  • Features
      • National
      • Worldwide
      • Politics
      • Interviews
  • Science
      • News
      • Lite Science
      • Common Misconceptions
      • Environment
      • Health
      • Technology
  • Sport
  • Lifestyle
      • Fashion and Beauty
      • Features
      • Food
      • Wellbeing
      • Sustainability
  • Music
      • Interviews
      • Features
      • Live Reviews
      • Album Reviews
      • Single Reviews
  • Screen
      • Reviews
      • Features
      • Interviews
      • Festivals and Awards
  • Arts + Lit
      • Interviews
      • Features
      • Reviews
      • Creative Writing
  • Amplify
  • International
  • Multilingual
  • News
  • Comment
  • Features
  • Science
  • Sport
  • Lifestyle
  • Music
  • Screen
  • Arts + Lit
  • Amplify
  • International
  • Multilingual
Home / Screen

Review: Christopher Robin

When the first trailer was released for Disney’s Christopher Robin it was met with a hesitance and resistance to the sombre tone of a world inhabited by a silly old bear.

Suspicions from our first sight of that melancholic colour palette are quickly confirmed upon viewing – Disney’s latest creation is not necessarily a film for kids. It’s not anything like a typical twisted fairy tale either, they haven’t gone particularly dark or subversive. It is more that young children would likely find this particular tale somewhat boring. It’s more reminiscent of a lighter ‘Where The Wild Things Are’ than the likes of the revived ‘Beauty and The Beast’, which we had perhaps come to expect from The Walt Disney Company. The story isn’t set up for thrills and zany adventures, it’s hit points aren’t action sequences or laughs, it’s the subtle sentimentality in Pooh’s unchanging naivety in conversation with Christopher Robins post war cynicism.

‘Childlike wonder is brought to be present even alongside its drab surroundings: the earnest joy from a simple balloon, the listing of objects passing by a train windows’

The entire film certainly views itself through the weary yet nostalgic eyes of an adult. Though it’s never doubted that The Hundred Acre Wood and its inhabitants are tangible and real, it resembles more of a dreary London in atmosphere than any rose tinted escapism. Instead, childlike wonder is brought to be present even alongside its drab surroundings: the earnest joy from a simple balloon, the listing of objects passing by a train windows. Christopher Robin doesn’t provide adults a fantasy land to run away to, nor does it suggest that childhood is a sanctimonious time that adults are barred from. Rather, it propagates that instead of longing for a past or pushing for a future the most important thing to be done is to be present.

It’s true that the meandering plot and stretched resolution can’t help but fall somewhat flat. But that’s not what’s important in Christopher Robin.  What matters is you get to spend a little more time with some old childhood friends. It’s cosy, nostalgic and visually seamless. If you grew up with Pooh, it’s for you.

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)

Related

Sep 6, 2018 By Katie Baker Filed Under: Screen, Screen Reviews Tagged With: Ewan McGregor, Disney, winnie the pooh, christopher robin, marc forster, tigger

Primary Sidebar

exeposescreen

University of Exeter 🎓 Film, TV, Game section of University of Exeter's student newspaper Exeposé 🎬 🎮 📺 📰

Meet the Screen Team for 2020/21 🎬 Our team is Meet the Screen Team for 2020/21 🎬 Our team is made up of 2 Print Editors, Francesca and Olivia, and 2 Online Editors, Jim and Olivia. We are all looking forward to bringing you exciting screen content over the next academic year! 🥳 We are always looking for new writers so keep an eye out for content calls on Facebook or drop us a DM if you want to get involved! 📝
THIS WEEK ON SCREEN: In support of #blacklivesmat THIS WEEK ON SCREEN:

In support of #blacklivesmatter✊🏽✊🏾✊🏿 , we’re dedicating this week to the work of Black filmmakers and to films that will educate us on racism. Black voices have value and deserve to be heard. 
Link in bio!!
We’ve got some awesome stuff for you this week o We’ve got some awesome stuff for you this week on screen online to cure some of that awful isolation boredom! 💪🏼👏🏼 Go check it out! (Link in bio)
The first batch of #lff2019 reviews are up on Scre The first batch of #lff2019 reviews are up on Screen! Online Screen Editor @heyimjay_cob finds much to enjoy in both #knivesout and #theirishman, two films debuting next month.

#filmfestival #festivalreview #filmreview #netflix #lionsgate

@knivesout @theirishmanfilm @netflixuk @lionsgate @riancjohnson
Online Screen Editor @heyimjay_cob talked to the a Online Screen Editor @heyimjay_cob talked to the award-winning writer/director @mrsambarlow (Her Story, Silent Hill: Shattered Memories) on his latest project Telling Lies, as well as the current state of interactive fiction. The full interview is now on Screen! #gaming #interview #TellingLies #herstory #sambarlow #interactivefiction #choicegames
🌟🎞🌟TIFF, Venice, Sundance, watch out! Exe 🌟🎞🌟TIFF, Venice, Sundance, watch out! Exeter has its own festival in town, for one day only!🌟🎞🌟 📽Tomorrow from 12:45 - 15:00 we will be presenting a handpicked selection of XTV films, as well as early shorts from well-known directors!📽 ⭕️Newman Red (inside Peter Chalk), tomorrow, Wednesday, 12:45, FREE!⭕️ 💫The festival is absolutely free and you can drop in and out whenever!💫
Online Editor @harryjcaton discusses the merits an Online Editor @harryjcaton discusses the merits and downfalls of movie epics in our latest feature article - give it a read, it's not as long as the movies mentioned in it, promise!

#movies #epics #moviemarathons #theirishman #martinscorsese #filmjournalism
Take a look at what Lauren Newman thinks of the la Take a look at what Lauren Newman thinks of the latest stream of Disney remakes, what is her Gospel Truth? It’s a fantastic read for sure! Find it in the Screen section of Exeposé Online!  #Disney #Exeposé
Katie Baker gave Someone Great 5 ⭐️ , we give Katie Baker gave Someone Great 5 ⭐️ , we give her review 5 ⭐️! Head on over to Exeposé Online to find out why Netflix’s new release is “so much more” than your typical Netflix movie.  #netflix #someonegreat #exeposé #exeposéscreen
Load More… Follow on Instagram
Tweets by Exeposé Screen

Contact Us: editors@exepose.com

Since 1987, Exeposé has given a voice to Exeter students. Over the years, the determination and political fervour exhibited by students through Exeposé have helped shape the University we study at today. We have received national recognition for our award-winning campaigns, investigations and surveys, and always strive to provide students with high-quality news, comment and features.

Disclaimer: The opinions expressed in articles and comments do not reflect the views of Exeposé Online or the University of Exeter Student's Guild.

        


© 2021
Website design: Harry Caton and Ellie Cook
Webdesign & development: Harry Caton