Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
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Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
Agata Koralewska, Online International Editor, praises the Polish film Chłopi (The Peasants), especially noting the fantastic visuals and exploration of character.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
Agata Koralewska, Online International Editor, praises the Polish film Chłopi (The Peasants), especially noting the fantastic visuals and exploration of character.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
Magdalena Kanecka discusses the beautiful directing of Oscar winning director Bong Joon-ho.
Eloise Grainger discusses Sofia Coppola’s Priscilla, praising the visual style of the film, as well as actor Cailee Spaeny’s performance.
Charlie McCormack reviews the critically acclaimed ‘Poor Things,’ addressing it as a feminist adaptation of Shelley’s ‘Frankenstein.’
Cora Jamieson praises the sequel to family-favourite Chicken Run, noting the references to other iconic films, and the inclusion of a varied host of regional accents.
Mitchel Rowe discusses the emerging trope of the ‘bleak girl’, addressing how feminine people want to see real reflections of gritty, complex female characters on the screen.
Alexander Howells takes us through the most (and least) anticipated films of 2024.
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