DIVINELY HELLISH IN EVERY WAY: Emily Rizzo finds Season 2 of the hit adaptation delightful, although not without flaws.
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From humble contributor to Print Screen Editor, and most recently Online Arts & Lit Editor, Emily loves nothing more than rambling about her favourite books and films, as well as delving deeper into the artistic world around them, and sneaking a peek behind the scenes. Having written across various Exeposé sections, she aims to entertain and thrill readers with passionate convictions and the odd scathing cynicism, whether she is shamelessly nerding out about cinema or exploring poignant topics of the day.
DIVINELY HELLISH IN EVERY WAY: Emily Rizzo finds Season 2 of the hit adaptation delightful, although not without flaws.
Emily Rizzo introduces us to the curious wonder of In Watermelon Sugar and outlines why it’s a perfect fit for the transition from summer to autumn.
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
Emily Rizzo looks at the work of supremely talented yet often and unfairly neglected cinematographer Bruno Delbonnel
Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
DIVINELY HELLISH IN EVERY WAY: Emily Rizzo finds Season 2 of the hit adaptation delightful, although not without flaws.
Emily Rizzo introduces us to the curious wonder of In Watermelon Sugar and outlines why it’s a perfect fit for the transition from summer to autumn.
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
Emily Rizzo looks at the work of supremely talented yet often and unfairly neglected cinematographer Bruno Delbonnel
Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
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