With incredible cinematography and a performance of the ages from Cate Blanchett, writer-director Todd Field has struck gold with his latest feature, writes Screen Editor Harvey Isitt.
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With incredible cinematography and a performance of the ages from Cate Blanchett, writer-director Todd Field has struck gold with his latest feature, writes Screen Editor Harvey Isitt.
Screen Editor Harvey Isitt breaks down this year’s Venice Film Festival line-up after this week’s unveiling
Franz Kranz’s surprising debut, a stripped-back, chamber piece examination of forgiveness, offers a timely lesson for a divided world.
Harvey Isitt and Isabel Langguth make a political playlist for protest, activism and change.
With stellar performances and an informative narrative, Judas and the Black Messiah is praised by Harvey Isitt
With incredible cinematography and a performance of the ages from Cate Blanchett, writer-director Todd Field has struck gold with his latest feature, writes Screen Editor Harvey Isitt.
Screen Editor Harvey Isitt breaks down this year’s Venice Film Festival line-up after this week’s unveiling
Franz Kranz’s surprising debut, a stripped-back, chamber piece examination of forgiveness, offers a timely lesson for a divided world.
Harvey Isitt and Isabel Langguth make a political playlist for protest, activism and change.
With stellar performances and an informative narrative, Judas and the Black Messiah is praised by Harvey Isitt
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