In the first edition of his narrative gaming column, Online Screen Editor Jacob Heayes reflects on the achievements of What Remains of Edith Finch.
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In the first edition of his narrative gaming column, Online Screen Editor Jacob Heayes reflects on the achievements of What Remains of Edith Finch.
Online Screen Editor Jacob Heayes is enthralled by Jennifer Kent’s uncompromising revenge film.
Online Screen Editor Jacob Heayes finds Late Night to be a disappointingly derivative journey into talk-show production.
Online Screen Editor Jacob Heayes is equally bewildered and entertained by Daniel Scheinert’s latest black comedy.
Online Screen Editor Jacob Heayes finds Lulu Wang’s latest film a touching and elegant work.
Online Screen Editor Jacob Heayes is enamoured by the anarchic charms of Olivia Wilde’s coming-of-age film.
Following up from his stylish horror homage It Follows, David Robert Mitchell has attempted to transition into the neo-noir space with his latest LA-set pastiche Under the Silver Lake. After a year spent …
Like the cyborgs that inhabit its glossy, commercialised metropolis, Alita: Battle Angel often feels stitched together from a scrapheap of genres and concepts. Far from a well-oiled machine, the film suffers greatly …
One doesn’t need to look hard to notice that the cinematic landscape has evolved in the past couple of decades. Whilst Disney – and by extension Marvel – currently dominate …
With The Ballad of Buster Scruggs, the Coen Brothers have pushed the anthology film back into the awards sphere and popular conversation. It’s notoriously a genre so often varying in quality …
In the first edition of his narrative gaming column, Online Screen Editor Jacob Heayes reflects on the achievements of What Remains of Edith Finch.
Online Screen Editor Jacob Heayes is enthralled by Jennifer Kent’s uncompromising revenge film.
Online Screen Editor Jacob Heayes finds Late Night to be a disappointingly derivative journey into talk-show production.
Online Screen Editor Jacob Heayes is equally bewildered and entertained by Daniel Scheinert’s latest black comedy.
Online Screen Editor Jacob Heayes finds Lulu Wang’s latest film a touching and elegant work.
Online Screen Editor Jacob Heayes is enamoured by the anarchic charms of Olivia Wilde’s coming-of-age film.
Following up from his stylish horror homage It Follows, David Robert Mitchell has attempted to transition into the neo-noir space with his latest LA-set pastiche Under the Silver Lake. After a year spent …
Like the cyborgs that inhabit its glossy, commercialised metropolis, Alita: Battle Angel often feels stitched together from a scrapheap of genres and concepts. Far from a well-oiled machine, the film suffers greatly …
One doesn’t need to look hard to notice that the cinematic landscape has evolved in the past couple of decades. Whilst Disney – and by extension Marvel – currently dominate …
With The Ballad of Buster Scruggs, the Coen Brothers have pushed the anthology film back into the awards sphere and popular conversation. It’s notoriously a genre so often varying in quality …
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