University of Exeter, Devon

Satire

Antonella Perna reviews Netflix's Griselda, considering its compelling performance and feminist addition to the ongoing trend of drug cartel dramas.
Ceri Vaughan-Jones, Online Sport Editor, summarises the biggest moves from a quieter January transfer window than usual.
Zandie Howells discusses the common trope of the isolated place in horror films, and how the rules of horror have
Paris Gill profiles Boris Nadezhdin, the Putin challenger, and assesses whether democracy is a lost cause in Russia.
Anna Jones discusses the irony and misogyny surrounding Barbie's Oscar nominations.
Gracie Moore, Online Arts and Lit Editor, shares a self-written poem about finding the right person, at the wrong time

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