Audiovisual Narratives: The Social Media War Ella Buckley reflects on the nature of both the social…
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Fight Club receives a new ending Amy Colwell discusses the ramifications of Tencent Video’s censorship of…
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Archie Lockyer’s Oscars Predictions 2022 Archie Lockyer considers the recently announced nominations for the 94th Academy…
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Ella Buckley’s Oscars Predictions 2022 Ella Buckley considers the recently announced nominations for the 94th Academy…
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Does Euphoria have a substance abuse problem? Responding to D.A.R.E.’s criticisms of the hit teen-drama, Kristie…
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Best of 2021: The Green Knight Following the Best of 2021 feature that ran in last…
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The Fourth Wall: Deadpool and The Big Short Stanley Murphy-Jones assesses the damage of Deadpool’s surprising,…
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The Fourth Wall: The Cabin in the Woods and Evangelion …extols the virtues of a subtler,…
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Climate Change: Can the Big Screen really help? Considering Netflix’s recent satire, Don’t Look Up, Floris…
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Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
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Audiovisual Narratives: The Social Media War Ella Buckley reflects on the nature of both the social…
-
Fight Club receives a new ending Amy Colwell discusses the ramifications of Tencent Video’s censorship of…
-
Archie Lockyer’s Oscars Predictions 2022 Archie Lockyer considers the recently announced nominations for the 94th Academy…
-
Ella Buckley’s Oscars Predictions 2022 Ella Buckley considers the recently announced nominations for the 94th Academy…
-
Does Euphoria have a substance abuse problem? Responding to D.A.R.E.’s criticisms of the hit teen-drama, Kristie…
-
Best of 2021: The Green Knight Following the Best of 2021 feature that ran in last…
-
The Fourth Wall: Deadpool and The Big Short Stanley Murphy-Jones assesses the damage of Deadpool’s surprising,…
-
The Fourth Wall: The Cabin in the Woods and Evangelion …extols the virtues of a subtler,…
-
Climate Change: Can the Big Screen really help? Considering Netflix’s recent satire, Don’t Look Up, Floris…
-
Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
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