Jo Howard reviews the new Netflix TV series KAOS.
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Jo Howard reviews the new Netflix TV series KAOS.
Online Music Editor, Zandie Howells, reviews the new thriller ‘Speak No Evil’.
Uncover the bittersweet tale of brotherhood in Archie Evans’ review of “Rams” (2015), an Icelandic gem.
Print Sports Editor, Eloise Grainger, discusses the new film adaptation of Colleen Hoover’s novel ‘It Ends With Us’.
Brooke Taylor discusses the ‘nuanced performances’ that subtly make ‘Anatomy of the Fall’ a watch worthy of your time.
Isabel Bratt discusses the latest Netflix adaptation of ‘Avatar: The Last Airbender.’
Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
Jo Howard reviews the new Netflix TV series KAOS.
Online Music Editor, Zandie Howells, reviews the new thriller ‘Speak No Evil’.
Uncover the bittersweet tale of brotherhood in Archie Evans’ review of “Rams” (2015), an Icelandic gem.
Print Sports Editor, Eloise Grainger, discusses the new film adaptation of Colleen Hoover’s novel ‘It Ends With Us’.
Brooke Taylor discusses the ‘nuanced performances’ that subtly make ‘Anatomy of the Fall’ a watch worthy of your time.
Isabel Bratt discusses the latest Netflix adaptation of ‘Avatar: The Last Airbender.’
Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
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