Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
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Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
Eloise Grainger, Print Sport Editor, details the second series of The Traitors UK, noting the ever-growing audience and complex dynamics inside the castle.
Antonella Perna reviews Netflix’s Griselda, considering its compelling performance and feminist addition to the ongoing trend of drug cartel dramas.
Maya Fernandes praises Oscar nominated The Holdovers, discussing the distinctly nostalgic and warming atmosphere, as well as the performances of the unlikely trio.
Sarah Gould has much praise for One Life, noting the brilliant performances, and discussing the incredible true story the film is based on.
Eloise Grainger discusses Sofia Coppola’s Priscilla, praising the visual style of the film, as well as actor Cailee Spaeny’s performance.
Charlie McCormack reviews the critically acclaimed ‘Poor Things,’ addressing it as a feminist adaptation of Shelley’s ‘Frankenstein.’
Cora Jamieson praises the sequel to family-favourite Chicken Run, noting the references to other iconic films, and the inclusion of a varied host of regional accents.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Bronwyn Payne discusses Netflix’s Good Grief, praising the cinematography as well as noting the cliched displays of wealth.
Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
Eloise Grainger, Print Sport Editor, details the second series of The Traitors UK, noting the ever-growing audience and complex dynamics inside the castle.
Antonella Perna reviews Netflix’s Griselda, considering its compelling performance and feminist addition to the ongoing trend of drug cartel dramas.
Maya Fernandes praises Oscar nominated The Holdovers, discussing the distinctly nostalgic and warming atmosphere, as well as the performances of the unlikely trio.
Sarah Gould has much praise for One Life, noting the brilliant performances, and discussing the incredible true story the film is based on.
Eloise Grainger discusses Sofia Coppola’s Priscilla, praising the visual style of the film, as well as actor Cailee Spaeny’s performance.
Charlie McCormack reviews the critically acclaimed ‘Poor Things,’ addressing it as a feminist adaptation of Shelley’s ‘Frankenstein.’
Cora Jamieson praises the sequel to family-favourite Chicken Run, noting the references to other iconic films, and the inclusion of a varied host of regional accents.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Bronwyn Payne discusses Netflix’s Good Grief, praising the cinematography as well as noting the cliched displays of wealth.
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