Joseph James reviews Ridley Scott’s new historical action sequel, ‘Gladiator II’.
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Reviews
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Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
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Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
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Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
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Owen Peak reviews Almodóvar’s poignant exploration of friendship and mortality in ‘The Room Next Door’.
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Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
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Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
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Flora Runnacles reviews the new Netflix romcom TV show, ‘Nobody Wants This’.
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Bronwyn Payne explores the stunning visuals and emotional depth of The Wild Robot.
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April Frain reviews the new legacy sequel to the 1988 cult horror classic, ‘Beetlejuice Beetlejuice’.
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Joseph James reviews Ridley Scott’s new historical action sequel, ‘Gladiator II’.
-
Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
-
Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
-
Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
-
Owen Peak reviews Almodóvar’s poignant exploration of friendship and mortality in ‘The Room Next Door’.
-
Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
-
Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
-
Flora Runnacles reviews the new Netflix romcom TV show, ‘Nobody Wants This’.
-
Bronwyn Payne explores the stunning visuals and emotional depth of The Wild Robot.
-
April Frain reviews the new legacy sequel to the 1988 cult horror classic, ‘Beetlejuice Beetlejuice’.
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