Pollyanna Roberts reviews Waves, a striking exploration of family, loss, and the ebb and flow of life.
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Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
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Orla Watson, Online Science Editor, explores the chilling A24 horror, Talk To Me.
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Judy Dodd introduces the brilliant work of Belgian director and screenwriter, Lukas Dhont, with a review of his beautifully intimate film, ‘Close’.
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Jess Cadogan provides a whistle-stop tour of this month’s big releases, including A24’s much-anticipated now Oscar-nominated The Whale
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Does Euphoria have a substance abuse problem? Responding to D.A.R.E.’s criticisms of the hit teen-drama, Kristie…
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Best of 2021: The Green Knight Following the Best of 2021 feature that ran in last…
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Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
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To kick-off our series of potential lockdown viewing, Francesca Sylph suggests watching the filmography of Sean Baker
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Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
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Pollyanna Roberts reviews Waves, a striking exploration of family, loss, and the ebb and flow of life.
-
Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
-
Orla Watson, Online Science Editor, explores the chilling A24 horror, Talk To Me.
-
Judy Dodd introduces the brilliant work of Belgian director and screenwriter, Lukas Dhont, with a review of his beautifully intimate film, ‘Close’.
-
Jess Cadogan provides a whistle-stop tour of this month’s big releases, including A24’s much-anticipated now Oscar-nominated The Whale
-
Does Euphoria have a substance abuse problem? Responding to D.A.R.E.’s criticisms of the hit teen-drama, Kristie…
-
Best of 2021: The Green Knight Following the Best of 2021 feature that ran in last…
-
Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
-
To kick-off our series of potential lockdown viewing, Francesca Sylph suggests watching the filmography of Sean Baker
-
Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
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