Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
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Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
Orla Watson, Online Science Editor, explores the chilling A24 horror, Talk To Me.
Judy Dodd introduces the brilliant work of Belgian director and screenwriter, Lukas Dhont, with a review of his beautifully intimate film, ‘Close’.
Jess Cadogan provides a whistle-stop tour of this month’s big releases, including A24’s much-anticipated now Oscar-nominated The Whale
Does Euphoria have a substance abuse problem? Responding to D.A.R.E.’s criticisms of the hit teen-drama, Kristie Taylor suggests that Euphoria‘s depiction of substance abuse isn’t quite as simple as has …
Best of 2021: The Green Knight Following the Best of 2021 feature that ran in last fortnight’s print edition, Matthew Bowden adds his voice to the debate and champions the …
Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
To kick-off our series of potential lockdown viewing, Francesca Sylph suggests watching the filmography of Sean Baker
Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
Orla Watson, Online Science Editor, explores the chilling A24 horror, Talk To Me.
Judy Dodd introduces the brilliant work of Belgian director and screenwriter, Lukas Dhont, with a review of his beautifully intimate film, ‘Close’.
Jess Cadogan provides a whistle-stop tour of this month’s big releases, including A24’s much-anticipated now Oscar-nominated The Whale
Does Euphoria have a substance abuse problem? Responding to D.A.R.E.’s criticisms of the hit teen-drama, Kristie Taylor suggests that Euphoria‘s depiction of substance abuse isn’t quite as simple as has …
Best of 2021: The Green Knight Following the Best of 2021 feature that ran in last fortnight’s print edition, Matthew Bowden adds his voice to the debate and champions the …
Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
To kick-off our series of potential lockdown viewing, Francesca Sylph suggests watching the filmography of Sean Baker
Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
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