Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
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Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
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Lisette Read finds See How They Run an entertaining yet derivative take on the popular “whodunnit” genre
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Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
-
Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
-
Lisette Read finds See How They Run an entertaining yet derivative take on the popular “whodunnit” genre
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