Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
Menu
Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
Lisette Read finds See How They Run an entertaining yet derivative take on the popular “whodunnit” genre
Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
Lisette Read finds See How They Run an entertaining yet derivative take on the popular “whodunnit” genre
Subscribe to our newsletter for the latest news & updates.
Sign up to our newsletter
