Jake Avery finds that while The Menu provides high-octane moments of tension, it feels a tad undernourished in terms of emotional engagement
Menu
Anya Taylor-Joy
-
-
Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
-
Max Shepherd finds the new Netflix chess series, The Queen’s Gambit, to be anything but black and white
-
Jake Avery finds that while The Menu provides high-octane moments of tension, it feels a tad undernourished in terms of emotional engagement
-
Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
-
Max Shepherd finds the new Netflix chess series, The Queen’s Gambit, to be anything but black and white
Subscribe to our newsletter for the latest news & updates.
- Copywrite ©2023 Exeposé - All Rights Reserved
- Privacy Policy
- Terms of Use
- Cookie Policy
Exeposé is the University of Exeter’s independent newspaper. Established in 1987.
Exhibit
Newsletter
Sign up to our newsletter