Sarah Gould gives us the rundown of The Oscars.
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Sarah Gould gives us the rundown of The Oscars.
Anna Jones discusses the irony and misogyny surrounding Barbie’s Oscar nominations.
Scarlett Cracknell, Print Music Editor, looks back at the past year and how it has rejected “womanhood” in the effort to prioritise “girl” and what that symbolises.
Pollyanna Roberts delights in the magic of director Greta Gerwig, also noting how the perhaps ‘obvious’ feminist message unfortunately still rings very true.
Lisette Reed, Print Comment Editor, discusses the animated Barbie films of the 2000s, and their impact on herself and others who grew up with them.
Maggie John, Features Editor, investigates Barbie’s history of championing women’s rights and their move to finally become more inclusive.
Sarah Gould gives us the rundown of The Oscars.
Anna Jones discusses the irony and misogyny surrounding Barbie’s Oscar nominations.
Scarlett Cracknell, Print Music Editor, looks back at the past year and how it has rejected “womanhood” in the effort to prioritise “girl” and what that symbolises.
Pollyanna Roberts delights in the magic of director Greta Gerwig, also noting how the perhaps ‘obvious’ feminist message unfortunately still rings very true.
Lisette Reed, Print Comment Editor, discusses the animated Barbie films of the 2000s, and their impact on herself and others who grew up with them.
Maggie John, Features Editor, investigates Barbie’s history of championing women’s rights and their move to finally become more inclusive.
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