Online Screen Editor Jacob Heayes has nothing but praise for Martin Scorsese’s latest crime epic.
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Online Screen Editor Jacob Heayes has nothing but praise for Martin Scorsese’s latest crime epic.
Online Screen Editor Jacob Heayes is enthralled by Jennifer Kent’s uncompromising revenge film.
Online Screen Editor Jacob Heayes finds Late Night to be a disappointingly derivative journey into talk-show production.
Online Screen Editor Jacob Heayes is equally bewildered and entertained by Daniel Scheinert’s latest black comedy.
Chloe Kennedy makes the case that the Cannes Film Festival’s regulations and attitude are due for some drastic change.
Online Screen Editor Jacob Heayes finds Lulu Wang’s latest film a touching and elegant work.
Certain associations are damaged with overuse. School, awkward teens, the nuances of young social lives – perhaps it’s all been done before. But then comes Eighth Grade, breezily making those …
How do I even start to review First Reformed? A dense thing, so much of it incurs the sort of sheer fascination that had me clenching the armrests of my …
Sometimes you just need a film that’s perfectly pleasant. That’s not to say it can’t be bold in that demeanour, possess genuine stakes, or have something to say, but that …
For a film to tackle the numbing effects of post-crisis dissociation with its entire formal being should be laudable. Leave No Trace, however, falls somewhat flat amidst this ambition – …
Online Screen Editor Jacob Heayes has nothing but praise for Martin Scorsese’s latest crime epic.
Online Screen Editor Jacob Heayes is enthralled by Jennifer Kent’s uncompromising revenge film.
Online Screen Editor Jacob Heayes finds Late Night to be a disappointingly derivative journey into talk-show production.
Online Screen Editor Jacob Heayes is equally bewildered and entertained by Daniel Scheinert’s latest black comedy.
Chloe Kennedy makes the case that the Cannes Film Festival’s regulations and attitude are due for some drastic change.
Online Screen Editor Jacob Heayes finds Lulu Wang’s latest film a touching and elegant work.
Certain associations are damaged with overuse. School, awkward teens, the nuances of young social lives – perhaps it’s all been done before. But then comes Eighth Grade, breezily making those …
How do I even start to review First Reformed? A dense thing, so much of it incurs the sort of sheer fascination that had me clenching the armrests of my …
Sometimes you just need a film that’s perfectly pleasant. That’s not to say it can’t be bold in that demeanour, possess genuine stakes, or have something to say, but that …
For a film to tackle the numbing effects of post-crisis dissociation with its entire formal being should be laudable. Leave No Trace, however, falls somewhat flat amidst this ambition – …
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