Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
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Kenneth Branagh
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Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
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Review: Belfast Ella Buckley interrogates the romanticism and nostalgia permeating Kenneth Branagh’s coming of age tale…
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Henry Jordan discusses three theories about Nolan’s mysterious Tenet, from crazy to even crazier.
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Richard Thorncroft (Julian Barratt) once had it all: the perfect girlfriend, the perfect car, the perfect…
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Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
-
Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
-
Review: Belfast Ella Buckley interrogates the romanticism and nostalgia permeating Kenneth Branagh’s coming of age tale…
-
Henry Jordan discusses three theories about Nolan’s mysterious Tenet, from crazy to even crazier.
-
Richard Thorncroft (Julian Barratt) once had it all: the perfect girlfriend, the perfect car, the perfect…
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