Online Screen Editor Jacob Heayes is enthralled by Jennifer Kent’s uncompromising revenge film.
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Online Screen Editor Jacob Heayes is enthralled by Jennifer Kent’s uncompromising revenge film.
Online Screen Editor Jacob Heayes finds Late Night to be a disappointingly derivative journey into talk-show production.
Online Screen Editor Jacob Heayes is equally bewildered and entertained by Daniel Scheinert’s latest black comedy.
Online Screen Editor Jacob Heayes finds Lulu Wang’s latest film a touching and elegant work.
The 91st Academy Awards are happening in just under a month’s time and all eyes are on whether Black Panther will become the first superhero film to win Best Picture, …
Certain associations are damaged with overuse. School, awkward teens, the nuances of young social lives – perhaps it’s all been done before. But then comes Eighth Grade, breezily making those …
How do I even start to review First Reformed? A dense thing, so much of it incurs the sort of sheer fascination that had me clenching the armrests of my …
Sometimes you just need a film that’s perfectly pleasant. That’s not to say it can’t be bold in that demeanour, possess genuine stakes, or have something to say, but that …
For a film to tackle the numbing effects of post-crisis dissociation with its entire formal being should be laudable. Leave No Trace, however, falls somewhat flat amidst this ambition – …
Online Screen Editor Jacob Heayes is enthralled by Jennifer Kent’s uncompromising revenge film.
Online Screen Editor Jacob Heayes finds Late Night to be a disappointingly derivative journey into talk-show production.
Online Screen Editor Jacob Heayes is equally bewildered and entertained by Daniel Scheinert’s latest black comedy.
Online Screen Editor Jacob Heayes finds Lulu Wang’s latest film a touching and elegant work.
The 91st Academy Awards are happening in just under a month’s time and all eyes are on whether Black Panther will become the first superhero film to win Best Picture, …
Certain associations are damaged with overuse. School, awkward teens, the nuances of young social lives – perhaps it’s all been done before. But then comes Eighth Grade, breezily making those …
How do I even start to review First Reformed? A dense thing, so much of it incurs the sort of sheer fascination that had me clenching the armrests of my …
Sometimes you just need a film that’s perfectly pleasant. That’s not to say it can’t be bold in that demeanour, possess genuine stakes, or have something to say, but that …
For a film to tackle the numbing effects of post-crisis dissociation with its entire formal being should be laudable. Leave No Trace, however, falls somewhat flat amidst this ambition – …
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