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House of Guinness – Review

Saskia Sudderick dives into the new Netflix drama show, House of Guinness
2 mins read
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Steven Knight’s new historical drama, House of Guinness, pours power, pride and politics into a single, exhilarating mix as it delves into the potent struggles within Ireland’s most famous brewing dynasty. Visually spectacular and simmering with intensity, the series serves a heavy blend of political tension, family dispute and a stylish flair – though at times, that style is prioritised over substance.

Shifting his gaze from the crime gangs of gritty Birmingham to the shadowed streets of 1860s Dublin, Knight opens with the death of Sir Benjamin Lee Guinness, which plunges his four children into bitter turmoil as they grapple with their father’s immense legacy and compete for control of the iconic family empire. Across eight episodes, the characters come alive through threads of forbidden love, secrecy and betrayal, set against the chaos of Irish unrest and the nation’s turbulent pursuit of independence.

The show’s strengths lie in its stellar performances: Anthony Boyle’s Arthur brims with brooding intensity, whilst Emily Fairn’s Anne offers an emotionally grounded counterpoint of moral clarity. It is easy to become immersed in these vibrant characters as the narrative weaves through dynastic feuds, clashing ambitions and the simmering discontent of the Fenians. Though occasionally melodramatic and not always historically precise, House of Guinness has enough authentic flavour to keep viewers hooked.

Cinematically, the show’s gloomy depiction of gritty 19th century Dublin juxtaposes beautifully with the luxury and wealth of the Guinness empire, providing a distinct Peaky Blinders edge that Knight’s fans would recognise. The production is striking, coupled with an anachronistic soundtrack that features Irish artists such as Fontaines D.C. and Kneecap. While the infusion of contemporary music does lend the series a pulse of modern energy, it does occasionally clash with its historical setting, momentarily pulling focus from the drama unfolding on screen. Still, Knight’s storytelling does remain steady and deeply engaging, grounded in emotion and politics.

Beneath the spectacle and cinematic performances, House of Guinness is a series that balances a steady stream of drama, politics and passion. The show is rich, flawed and irresistibly watchable – the perfect binge for an autumn evening.

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