Review: Red Notice Beneath its glitzy cast and financial success, Lucy Evans identifies a distinct lack of focus in Netflix’s recent crime caper. Red Notice is Netflix’s latest action-comedy and follows an art thief, an FBI agent and a criminal as they race to find a bejeweled egg, each with their own motives. Insider reported […]
Netflix
The return of Sex Education
Esmé Tilling explains how Netflix’s Sex Education exposes the problems with sex education taught in schools.
The holes in the net: the inaccuracies and controversies surrounding Seaspiracy
In a world governed by fake news, it seems like the place where we normally garner entertainment we should also acquire justly representative documentaries. Although Seaspiracy discusses poignant themes that need to be faced immediately, it has seen wide backlash due to its exaggerated statistics and caricatures of marginalised societies whose economies centre around the fishing industry.
What Elliot Page’s coming out means for trans visibility
Page’s announcement nonetheless offers a glimmer of hope, particularly for the many trans people who feel invisible in mainstream culture
Review: The Dig
Max Ingleby finds The Dig to be more of a damp trench than an unearthed treasure trove
Is the “recycling” of certain fashion trends going too far?
Maggie John discusses Netflix’s hit show, ‘Bridgerton’, following social media’s new-found obsession with Regency-era fashion
The Obsession with Bridgerton’s Oppressed Women
Eirwen Abberley Watton reviews the new Netflix series, Bridgerton, discussing the show’s strong-willed female characters, as well as problematic elements that the fanbase may have overlooked.
I Hate That I Love ‘The Crown’
Stanley Murphy-Johns hates just how much he loves The Crown
Mrs DeWinter no more
Chloe Pumares writes about the feminist themes of the 2020 remake of Rebecca.
Review : Emily In Paris
Maggie John reviews Netflix’s new series Emily in Paris