Ryan Allen shines a light on the often overlooked Oscar-winning director, Jonathan Demme
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To kick-off our series of potential lockdown viewing, Francesca Sylph suggests watching the filmography of Sean Baker
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Esther Huntington-Whitely shares why Apple TV’s The Morning Show deserves to be watched
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Amy Butterworth shares some of the very best Studio Ghibli productions now available on Netflix.
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William Thornton writes on how Orpheus is the perfect piece of isolation escapism.
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Online Screen editor Jim Norman discusses some of his favourite cinematic robots.
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Max Ingleby suggests watching Oldboy in order to forget about the troubles of the world.
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Will Thornton looks over an assortment of TV endings and argues for the importance of the final episode.
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Francesca Sylph kicks off our mini-feature on cinema love stories with Richard Linklater’s acclaimed 18-year trilogy.
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Ryan Allen continues our Valentine’s feature with a look at Sion Sono’s unorthodox love epic.
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Ryan Allen shines a light on the often overlooked Oscar-winning director, Jonathan Demme
-
To kick-off our series of potential lockdown viewing, Francesca Sylph suggests watching the filmography of Sean Baker
-
Esther Huntington-Whitely shares why Apple TV’s The Morning Show deserves to be watched
-
Amy Butterworth shares some of the very best Studio Ghibli productions now available on Netflix.
-
William Thornton writes on how Orpheus is the perfect piece of isolation escapism.
-
Online Screen editor Jim Norman discusses some of his favourite cinematic robots.
-
Max Ingleby suggests watching Oldboy in order to forget about the troubles of the world.
-
Will Thornton looks over an assortment of TV endings and argues for the importance of the final episode.
-
Francesca Sylph kicks off our mini-feature on cinema love stories with Richard Linklater’s acclaimed 18-year trilogy.
-
Ryan Allen continues our Valentine’s feature with a look at Sion Sono’s unorthodox love epic.
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