Jack Walton gives us the perfect formula for a Roald Dahl movie.
Features
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After the heartbreaking news of Cineworld’s and Picturehouse’s closure, Will Thronton reminisces on his best memory of the cinema.
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Confronting the killer head-on or running in fear, Piers Mucklejohn considers the joys of horror gaming
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Amber Hogan discusses why TV adaptations of books have been so well-received in recent years and why some film adaptations have fallen flat.
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Eoin O’Leary writes about the acting work of the late great Diana Rigg.
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Screen Editor Olivia Garrett discusses the highs and lows of this year’s Emmy Awards.
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This week, we’re putting the spotlight on films that deserve more recognition. Matthew Boden tells us all about Motherless Brooklyn and why it really should be appreciated more.
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Online Screen editor, Jim Norman, discusses the fascination with playing video games over and over again
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Georgia Balmer looks at how Keanu Reeves has gone from trashy actor to Hollywood’s most loved faces
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Natalie Pramuk reviews Damon Gameau’s love letter to his daughter while discussing some of the film’s solutions to the climate crisis.
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Jack Walton gives us the perfect formula for a Roald Dahl movie.
-
After the heartbreaking news of Cineworld’s and Picturehouse’s closure, Will Thronton reminisces on his best memory of the cinema.
-
Confronting the killer head-on or running in fear, Piers Mucklejohn considers the joys of horror gaming
-
Amber Hogan discusses why TV adaptations of books have been so well-received in recent years and why some film adaptations have fallen flat.
-
Eoin O’Leary writes about the acting work of the late great Diana Rigg.
-
Screen Editor Olivia Garrett discusses the highs and lows of this year’s Emmy Awards.
-
This week, we’re putting the spotlight on films that deserve more recognition. Matthew Boden tells us all about Motherless Brooklyn and why it really should be appreciated more.
-
Online Screen editor, Jim Norman, discusses the fascination with playing video games over and over again
-
Georgia Balmer looks at how Keanu Reeves has gone from trashy actor to Hollywood’s most loved faces
-
Natalie Pramuk reviews Damon Gameau’s love letter to his daughter while discussing some of the film’s solutions to the climate crisis.
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Exeposé is the University of Exeter’s independent newspaper. Established in 1987.
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