On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
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Tom Bosher takes us through a selection of iconic screen villains to understand their enduring importance in stories.
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Jim Norman considers the value of moving stories from stage to screen.
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Deputy Editor Neha Shaji discusses The Nine Muses, screened as part of Exeter University’s Black History Month series.
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Max Ingleby shares his love for Doniella Davy’s makeup work on HBO’s Euphoria.
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Catherine Lloyd, Copy Editor, delves into why The Golden Compass didn’t fulfil the promise it had upon release.
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Social Secretary Olivia Gomez and Print Screen Editor Sam Thomson tackle whether Alan Moore’s seminal graphic novel is truly ‘unadaptable’
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Elinor Jones, Print Science Editor, looks into the possibilities that could arise when combining Virtual Reality and ancient artefacts.
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Online Screen Editor Jacob Heayes interviews writer/director Sam Barlow on his new project Telling Lies and the interactive fiction form.
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Online Editor, Harry Caton, weighs up the pros and cons of films that push the boundaries of typical running times.
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On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
-
Tom Bosher takes us through a selection of iconic screen villains to understand their enduring importance in stories.
-
Jim Norman considers the value of moving stories from stage to screen.
-
Deputy Editor Neha Shaji discusses The Nine Muses, screened as part of Exeter University’s Black History Month series.
-
Max Ingleby shares his love for Doniella Davy’s makeup work on HBO’s Euphoria.
-
Catherine Lloyd, Copy Editor, delves into why The Golden Compass didn’t fulfil the promise it had upon release.
-
Social Secretary Olivia Gomez and Print Screen Editor Sam Thomson tackle whether Alan Moore’s seminal graphic novel is truly ‘unadaptable’
-
Elinor Jones, Print Science Editor, looks into the possibilities that could arise when combining Virtual Reality and ancient artefacts.
-
Online Screen Editor Jacob Heayes interviews writer/director Sam Barlow on his new project Telling Lies and the interactive fiction form.
-
Online Editor, Harry Caton, weighs up the pros and cons of films that push the boundaries of typical running times.
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