Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
Max Shepherd finds the new Netflix chess series, The Queen’s Gambit, to be anything but black and white
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
Maggie John reviews Netflix’s new series Emily in Paris
Molly Jones finds Ratched, the new thriller series from Netflix, to be a mixed bag of excitement, gore, and cliché
Charlie Kauffman reappears on the scene with his new film I’m Thinking of Ending Things. Matthew Boden gives us his thoughts on the new Netflix Original.
Review: Tenet Christopher’s Nolan’s time-bending, cinema-saving epic has finally hit cinemas, but is it good enough for you to leave the safety of home to see it? Isaac Bettridge gives …
Henry Jordan continues his coverage of the London Film Festival with a look at the classically-inflected love mystery, Undine
Henry Jordan begins his London Film Festival coverage with the creepy horror, Relic
Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
Max Shepherd finds the new Netflix chess series, The Queen’s Gambit, to be anything but black and white
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
Maggie John reviews Netflix’s new series Emily in Paris
Molly Jones finds Ratched, the new thriller series from Netflix, to be a mixed bag of excitement, gore, and cliché
Charlie Kauffman reappears on the scene with his new film I’m Thinking of Ending Things. Matthew Boden gives us his thoughts on the new Netflix Original.
Review: Tenet Christopher’s Nolan’s time-bending, cinema-saving epic has finally hit cinemas, but is it good enough for you to leave the safety of home to see it? Isaac Bettridge gives …
Henry Jordan continues his coverage of the London Film Festival with a look at the classically-inflected love mystery, Undine
Henry Jordan begins his London Film Festival coverage with the creepy horror, Relic
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