Review: Titane Matthew Bowden waxes poetic about the sensual, transgressive Palme d’Or winning horror film, Titane. Julia Ducournau’s engrossing follow-up to her 2016 debut Raw is another instance of the …
Review: Titane Matthew Bowden waxes poetic about the sensual, transgressive Palme d’Or winning horror film, Titane. Julia Ducournau’s engrossing follow-up to her 2016 debut Raw is another instance of the …
Review: West Side Story Maddie Luke praises Spielberg’s ambitious remake of the beloved classic for its impressive performances and emphasis it places on authenticity. Somethin’s comin’ and it’s certainly somethin’ …
Review: The King’s Man Isaac Bettridge takes The King’s Man to task for its misguided attempts at reckoning with some deeply sensitive, historical subject matter. As a history student, I’m …
George Ward lauds the most recent installment of the Roy family’s saga and the depth it lends to its most peripheral characters.
Review: Tick, Tick… Boom! A result of its technical splendor, Mahnoor Imam finds Lin-Manuel Miranda’s directorial debut a fitting tribute to Jonathan Larson and Broadway. Lin-Manuel Miranda’s Tick, Tick… Boom! …
Review: House of Gucci Archie Lockyer laments the squandered promise of Ridley Scott’s odyssey through the Gucci family’s infamous history The tale of the Gucci family seems to be an …
Review: Red Notice Beneath its glitzy cast and financial success, Lucy Evans identifies a distinct lack of focus in Netflix’s recent crime caper. Red Notice is Netflix’s latest action-comedy and …
Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
Gwenllian Page-Gibby considers The Eternals’ move towards grandiosity and epic-scale and what that means for the forthcoming wave of the MCU.
Despite its stellar cast and interesting plot, Henry Hood finds there are too many flaws in Netflix’s latest sci-fi adventure
Review: Titane Matthew Bowden waxes poetic about the sensual, transgressive Palme d’Or winning horror film, Titane. Julia Ducournau’s engrossing follow-up to her 2016 debut Raw is another instance of the …
Review: West Side Story Maddie Luke praises Spielberg’s ambitious remake of the beloved classic for its impressive performances and emphasis it places on authenticity. Somethin’s comin’ and it’s certainly somethin’ …
Review: The King’s Man Isaac Bettridge takes The King’s Man to task for its misguided attempts at reckoning with some deeply sensitive, historical subject matter. As a history student, I’m …
George Ward lauds the most recent installment of the Roy family’s saga and the depth it lends to its most peripheral characters.
Review: Tick, Tick… Boom! A result of its technical splendor, Mahnoor Imam finds Lin-Manuel Miranda’s directorial debut a fitting tribute to Jonathan Larson and Broadway. Lin-Manuel Miranda’s Tick, Tick… Boom! …
Review: House of Gucci Archie Lockyer laments the squandered promise of Ridley Scott’s odyssey through the Gucci family’s infamous history The tale of the Gucci family seems to be an …
Review: Red Notice Beneath its glitzy cast and financial success, Lucy Evans identifies a distinct lack of focus in Netflix’s recent crime caper. Red Notice is Netflix’s latest action-comedy and …
Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
Gwenllian Page-Gibby considers The Eternals’ move towards grandiosity and epic-scale and what that means for the forthcoming wave of the MCU.
Despite its stellar cast and interesting plot, Henry Hood finds there are too many flaws in Netflix’s latest sci-fi adventure
Subscribe to our newsletter for the latest news & updates.
Sign up to our newsletter