Review: Around the World in 80 Days Piers Mucklejohn finds a lot to love in the exhilarating modern adaptation of Jules Verne’s classic novel and discusses the cultural criticism surrounding …
Review: Around the World in 80 Days Piers Mucklejohn finds a lot to love in the exhilarating modern adaptation of Jules Verne’s classic novel and discusses the cultural criticism surrounding …
Climate Change: Can the Big Screen really help? Considering Netflix’s recent satire, Don’t Look Up, Floris De Bruin interrogates the role of satire and entertainment in the fight for climate …
Review: Titane Matthew Bowden waxes poetic about the sensual, transgressive Palme d’Or winning horror film, Titane. Julia Ducournau’s engrossing follow-up to her 2016 debut Raw is another instance of the …
Review: West Side Story Maddie Luke praises Spielberg’s ambitious remake of the beloved classic for its impressive performances and emphasis it places on authenticity. Somethin’s comin’ and it’s certainly somethin’ …
Review: The King’s Man Isaac Bettridge takes The King’s Man to task for its misguided attempts at reckoning with some deeply sensitive, historical subject matter. As a history student, I’m …
George Ward lauds the most recent installment of the Roy family’s saga and the depth it lends to its most peripheral characters.
Review: Tick, Tick… Boom! A result of its technical splendor, Mahnoor Imam finds Lin-Manuel Miranda’s directorial debut a fitting tribute to Jonathan Larson and Broadway. Lin-Manuel Miranda’s Tick, Tick… Boom! …
Review: House of Gucci Archie Lockyer laments the squandered promise of Ridley Scott’s odyssey through the Gucci family’s infamous history The tale of the Gucci family seems to be an …
Review: Red Notice Beneath its glitzy cast and financial success, Lucy Evans identifies a distinct lack of focus in Netflix’s recent crime caper. Red Notice is Netflix’s latest action-comedy and …
Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
Review: Around the World in 80 Days Piers Mucklejohn finds a lot to love in the exhilarating modern adaptation of Jules Verne’s classic novel and discusses the cultural criticism surrounding …
Climate Change: Can the Big Screen really help? Considering Netflix’s recent satire, Don’t Look Up, Floris De Bruin interrogates the role of satire and entertainment in the fight for climate …
Review: Titane Matthew Bowden waxes poetic about the sensual, transgressive Palme d’Or winning horror film, Titane. Julia Ducournau’s engrossing follow-up to her 2016 debut Raw is another instance of the …
Review: West Side Story Maddie Luke praises Spielberg’s ambitious remake of the beloved classic for its impressive performances and emphasis it places on authenticity. Somethin’s comin’ and it’s certainly somethin’ …
Review: The King’s Man Isaac Bettridge takes The King’s Man to task for its misguided attempts at reckoning with some deeply sensitive, historical subject matter. As a history student, I’m …
George Ward lauds the most recent installment of the Roy family’s saga and the depth it lends to its most peripheral characters.
Review: Tick, Tick… Boom! A result of its technical splendor, Mahnoor Imam finds Lin-Manuel Miranda’s directorial debut a fitting tribute to Jonathan Larson and Broadway. Lin-Manuel Miranda’s Tick, Tick… Boom! …
Review: House of Gucci Archie Lockyer laments the squandered promise of Ridley Scott’s odyssey through the Gucci family’s infamous history The tale of the Gucci family seems to be an …
Review: Red Notice Beneath its glitzy cast and financial success, Lucy Evans identifies a distinct lack of focus in Netflix’s recent crime caper. Red Notice is Netflix’s latest action-comedy and …
Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
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