“Tonally confused; Bombshell misses the mark.” Katie Jones reviews Jay Roach’s most recent film.
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Reviews
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Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
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His Dark Materials is one of the BBC’s latest dramas, based on the book series of…
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Sofia Fahrion is disappointed by David Michôd’s Shakespeare adaptation for Netflix.
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Johnny Chern, Print Screen Editor, reviews recent release Le Mans ’66, and the characters behind the cars
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Max Ingleby is amused by Eddie Murphy’s take on Rudy Ray Moore despite otherwise predictable execution.
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Henry Jordan is compelled in all the wrong ways by Babak Anvari’s sophomore horror feature.
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Tabby Burnett doesn’t find much frightening in Netflix’s adaptation of Stephen King.
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Tabby Burnett finds Amazon’s Modern Love to be an uneven but worthwhile collage of stories.
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Max Ingleby finds Tell Me Who I Am to be a powerful documentary even if its existence raises some troubling questions.
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“Tonally confused; Bombshell misses the mark.” Katie Jones reviews Jay Roach’s most recent film.
-
Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
-
His Dark Materials is one of the BBC’s latest dramas, based on the book series of…
-
Sofia Fahrion is disappointed by David Michôd’s Shakespeare adaptation for Netflix.
-
Johnny Chern, Print Screen Editor, reviews recent release Le Mans ’66, and the characters behind the cars
-
Max Ingleby is amused by Eddie Murphy’s take on Rudy Ray Moore despite otherwise predictable execution.
-
Henry Jordan is compelled in all the wrong ways by Babak Anvari’s sophomore horror feature.
-
Tabby Burnett doesn’t find much frightening in Netflix’s adaptation of Stephen King.
-
Tabby Burnett finds Amazon’s Modern Love to be an uneven but worthwhile collage of stories.
-
Max Ingleby finds Tell Me Who I Am to be a powerful documentary even if its existence raises some troubling questions.
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