Reviews

Bronwyn Payne discusses Netflix’s Good Grief, praising the cinematography as well as noting the cliched displays of wealth.

Daniel Eke discusses the newest film from Studio Ghibli, and notes the stunning visuals and themes of family.

Kayleigh Swart, Print Screen Editor, discusses the new Wonka film, praising its actors and world-building.

Eloise Grainger, Print Sport Editor, steps into the driver’s seat for a review of Ferrari, that will make you want to learn all there is to know about Enzo Ferrari.

Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.

Megan Perry discusses David Fincher’s Netflix thriller, praising the Killer’s characterisation and noting the questions posed by such an intricate character.

Maximus Woodley praises the self-referential elements of Disney’s Wish as a 100th Anniversary film, but notes the otherwise disappointing lack of intriguing content.

Betsy Heasman has much praise for Emerald Fennell’s disturbing comedy thriller, especially praising the instinctive but intriguing revulsion prompted by the film’s content.

Eloise Grainger discusses the highly anticipated Hunger Games prequel, noting the particular loyalty to the source material, and the fantastic audience response.

Riona McLoughlin discusses new dystopian sci-fi The Creator, noting the incredible detail of the visual effects and the fantastic performances from the cast.