Bronwyn Payne explores the stunning visuals and emotional depth of The Wild Robot.
Reviews
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April Frain reviews the new legacy sequel to the 1988 cult horror classic, ‘Beetlejuice Beetlejuice’.
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Joseph James dissects the dark layers of Joker: Folie à Deux.
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Joseph James reviews ‘Megalopolis’, focusing on its narrative complexity and thematic elements.
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Jay Weaver reviews the next installment in the Alien franchise, ‘Alien: Romulus’.
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Rayna Copplestone reviews the new Netflix drama ‘The Perfect Couple’.
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Owen Peak, explores ‘The Substance’, a gripping horror take on society’s beauty ideals.
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Pollyanna Roberts, Print Screen Editor, reviews the harrowing but emotional new drama The Outrun.
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In his analysis, Zandie Howells considers the effectiveness of ‘Firebrand’s’ historical revisions.
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Jo Howard reviews the new Netflix TV series KAOS.
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Bronwyn Payne explores the stunning visuals and emotional depth of The Wild Robot.
-
April Frain reviews the new legacy sequel to the 1988 cult horror classic, ‘Beetlejuice Beetlejuice’.
-
Joseph James dissects the dark layers of Joker: Folie à Deux.
-
Joseph James reviews ‘Megalopolis’, focusing on its narrative complexity and thematic elements.
-
Jay Weaver reviews the next installment in the Alien franchise, ‘Alien: Romulus’.
-
Rayna Copplestone reviews the new Netflix drama ‘The Perfect Couple’.
-
Owen Peak, explores ‘The Substance’, a gripping horror take on society’s beauty ideals.
-
Pollyanna Roberts, Print Screen Editor, reviews the harrowing but emotional new drama The Outrun.
-
In his analysis, Zandie Howells considers the effectiveness of ‘Firebrand’s’ historical revisions.
-
Jo Howard reviews the new Netflix TV series KAOS.
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Exeposé is the University of Exeter’s independent newspaper. Established in 1987.
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