Eloise Grainger, Print Sport Editor, steps into the driver’s seat for a review of Ferrari, that will make you want to learn all there is to know about Enzo Ferrari.
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Eloise Grainger, Print Sport Editor, steps into the driver’s seat for a review of Ferrari, that will make you want to learn all there is to know about Enzo Ferrari.
Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
Megan Perry discusses David Fincher’s Netflix thriller, praising the Killer’s characterisation and noting the questions posed by such an intricate character.
Maximus Woodley praises the self-referential elements of Disney’s Wish as a 100th Anniversary film, but notes the otherwise disappointing lack of intriguing content.
Betsy Heasman has much praise for Emerald Fennell’s disturbing comedy thriller, especially praising the instinctive but intriguing revulsion prompted by the film’s content.
Eloise Grainger discusses the highly anticipated Hunger Games prequel, noting the particular loyalty to the source material, and the fantastic audience response.
Riona McLoughlin discusses new dystopian sci-fi The Creator, noting the incredible detail of the visual effects and the fantastic performances from the cast.
Katie Matthews discusses the new Netflix documentary series, noting how the emphasis on entertaining theatricality may have overshadowed its somewhat lacking educational properties.
Kayleigh Swart discusses the highly anticipated Eras Tour Movie, praising the production of both the show and the film, as well as Swift’s own performance.
Lachlan Evans praises Martin Scorcese’s latest feature, noting the performance quality from each of the key characters.
Eloise Grainger, Print Sport Editor, steps into the driver’s seat for a review of Ferrari, that will make you want to learn all there is to know about Enzo Ferrari.
Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
Megan Perry discusses David Fincher’s Netflix thriller, praising the Killer’s characterisation and noting the questions posed by such an intricate character.
Maximus Woodley praises the self-referential elements of Disney’s Wish as a 100th Anniversary film, but notes the otherwise disappointing lack of intriguing content.
Betsy Heasman has much praise for Emerald Fennell’s disturbing comedy thriller, especially praising the instinctive but intriguing revulsion prompted by the film’s content.
Eloise Grainger discusses the highly anticipated Hunger Games prequel, noting the particular loyalty to the source material, and the fantastic audience response.
Riona McLoughlin discusses new dystopian sci-fi The Creator, noting the incredible detail of the visual effects and the fantastic performances from the cast.
Katie Matthews discusses the new Netflix documentary series, noting how the emphasis on entertaining theatricality may have overshadowed its somewhat lacking educational properties.
Kayleigh Swart discusses the highly anticipated Eras Tour Movie, praising the production of both the show and the film, as well as Swift’s own performance.
Lachlan Evans praises Martin Scorcese’s latest feature, noting the performance quality from each of the key characters.
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