Online Editor Clémence Smith assesses the future of opera and how the art form might draw in younger audiences.
Clemence Smith writes a review of the Bournemouth Symphony Orchestra.
Print Music Editor Harry Hawkins takes a whistlestop tour through Czech music past and present.
In a rare spell of unusual sunshine, I found myself walking with my housemates to the Quay to witness probably the best band in the world (if you didn’t catch that cheeky little uni reference, I suggest you haul yourself to the Guild shop and have a gander at some of the Carlsberg-esque stash). I’m […]