Gemma Gradwell discusses the opulence and energy of the recent Campus Cinema showing, ‘Marie Antoinette’.
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Gemma Gradwell discusses the opulence and energy of the recent Campus Cinema showing, ‘Marie Antoinette’.
Magdalena Kanecka, Online International Editor, discusses the controversy around new erotic thriller, ‘Babygirl’.
Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
Jay Weaver reviews the next installment in the Alien franchise, ‘Alien: Romulus’.
Pollyanna Roberts, Print Screen Editor, reviews the harrowing but emotional new drama The Outrun.
Online Music Editor, Zandie Howells, reviews the new thriller ‘Speak No Evil’.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
Gemma Gradwell discusses the opulence and energy of the recent Campus Cinema showing, ‘Marie Antoinette’.
Magdalena Kanecka, Online International Editor, discusses the controversy around new erotic thriller, ‘Babygirl’.
Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
Jay Weaver reviews the next installment in the Alien franchise, ‘Alien: Romulus’.
Pollyanna Roberts, Print Screen Editor, reviews the harrowing but emotional new drama The Outrun.
Online Music Editor, Zandie Howells, reviews the new thriller ‘Speak No Evil’.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
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