Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
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James Bond
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Eoin O’Leary writes about the acting work of the late great Diana Rigg.
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Joshua Hull examines the continuing appeal of the automobile film.
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There was something undeniably joyous in hearing Jodie Whittaker, newly regenerated from the wiry frame and…
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They say that imitation is the sincerest form of flattery, and nowhere else is that more…
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Four Grammys, three years and two BRIT awards after his debut, In the Lonely Hour, Sam…
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Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
-
Eoin O’Leary writes about the acting work of the late great Diana Rigg.
-
Joshua Hull examines the continuing appeal of the automobile film.
-
There was something undeniably joyous in hearing Jodie Whittaker, newly regenerated from the wiry frame and…
-
They say that imitation is the sincerest form of flattery, and nowhere else is that more…
-
Four Grammys, three years and two BRIT awards after his debut, In the Lonely Hour, Sam…
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