Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
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Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
Eoin O’Leary writes about the acting work of the late great Diana Rigg.
Joshua Hull examines the continuing appeal of the automobile film.
There was something undeniably joyous in hearing Jodie Whittaker, newly regenerated from the wiry frame and broad Scottish accent of Peter Capaldi (Doctor the Twelfth), suddenly exclaim ‘Oh, brilliant!’ in …
They say that imitation is the sincerest form of flattery, and nowhere else is that more true than Hollywood. Be it through attempting to capitalise on another’s success (DC’s Justice …
Four Grammys, three years and two BRIT awards after his debut, In the Lonely Hour, Sam Smith has triumphantly returned with his highly anticipated sophomore record, The Thrill of It …
Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
Eoin O’Leary writes about the acting work of the late great Diana Rigg.
Joshua Hull examines the continuing appeal of the automobile film.
There was something undeniably joyous in hearing Jodie Whittaker, newly regenerated from the wiry frame and broad Scottish accent of Peter Capaldi (Doctor the Twelfth), suddenly exclaim ‘Oh, brilliant!’ in …
They say that imitation is the sincerest form of flattery, and nowhere else is that more true than Hollywood. Be it through attempting to capitalise on another’s success (DC’s Justice …
Four Grammys, three years and two BRIT awards after his debut, In the Lonely Hour, Sam Smith has triumphantly returned with his highly anticipated sophomore record, The Thrill of It …
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