Evan Phillips
BAFTA 2019: The Predictions
Well sing from on high, readers, let jubilation reign, let the Ferrero Roche be snapped up at half price along with some unpronounceable bottles...
The Old Man & the Gun – Review
Few of us get to decide how we will go when our time comes, and even fewer will make such a choice willingly. A...
Robin Hood – Review
I wondered to myself this week, if what the world really needed in November 2018 was a new grim-dark remake of Robin Hood; a...
The Haunting Lessons of Issue Horror
A desolate castle rising out of a jagged hilltop, surrounded on all sides by dense forest. A full moon in the inky, starless sky above....
Remember This: Scott Pilgrim vs. the World
Not so long ago, in the mysterious land of Los Angeles, California, Edgar Wright was writing a screenplay. Fresh from the transatlantic success of...
‘Hell is behind that door!’: Revisiting Dario Argento’s Suspiria
There’s a moment in Juno where our heroine exclaims, ‘Dario Argento is so the master of horror’ which was a pretty niche reference for...
Regeneration
There was something undeniably joyous in hearing Jodie Whittaker, newly regenerated from the wiry frame and broad Scottish accent of Peter Capaldi (Doctor the...
