It has been over two years since the release of Carrie and Lowell, the most sombre and deeply personal release of Sufjan Stevens’ career. It was also one of his most successful records too, both critically and commercially, with Exeposé giving it a perfect 5 out of 5. With this in mind, it should come […]
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Sundance 2018 – Leave No Trace – Review
For a film to tackle the numbing effects of post-crisis dissociation with its entire formal being should be laudable. Leave No Trace, however, falls somewhat flat amidst this ambition – funnily enough, mostly due to the success of the attempt. By no means a poor film, it’s instead one that never quite takes off; exceptional […]