Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
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Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
Catherine Stone reviews the popular science fiction novel Dune, in light of its recent film adaptation.
Despite its stellar cast and interesting plot, Henry Hood finds there are too many flaws in Netflix’s latest sci-fi adventure
Max Shepherd discusses why science fiction might be the literary genre that is best equipped to deal with a world in crisis.
Review: Tenet Christopher’s Nolan’s time-bending, cinema-saving epic has finally hit cinemas, but is it good enough for you to leave the safety of home to see it? Isaac Bettridge gives …
On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
Jim Norman finds Ad Astra to be both an intriguing character study and a distant disappointment.
Like the cyborgs that inhabit its glossy, commercialised metropolis, Alita: Battle Angel often feels stitched together from a scrapheap of genres and concepts. Far from a well-oiled machine, the film suffers greatly …
Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
Catherine Stone reviews the popular science fiction novel Dune, in light of its recent film adaptation.
Despite its stellar cast and interesting plot, Henry Hood finds there are too many flaws in Netflix’s latest sci-fi adventure
Max Shepherd discusses why science fiction might be the literary genre that is best equipped to deal with a world in crisis.
Review: Tenet Christopher’s Nolan’s time-bending, cinema-saving epic has finally hit cinemas, but is it good enough for you to leave the safety of home to see it? Isaac Bettridge gives …
On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
Jim Norman finds Ad Astra to be both an intriguing character study and a distant disappointment.
Like the cyborgs that inhabit its glossy, commercialised metropolis, Alita: Battle Angel often feels stitched together from a scrapheap of genres and concepts. Far from a well-oiled machine, the film suffers greatly …
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