Pollyanna Roberts discusses the dual-pronged danger of nostalgia and subversion of gender tropes in Edgar Wright’s latest film.
thomasin mckenzie
Sundance 2018 – Leave No Trace – Review
For a film to tackle the numbing effects of post-crisis dissociation with its entire formal being should be laudable. Leave No Trace, however, falls somewhat flat amidst this ambition – funnily enough, mostly due to the success of the attempt. By no means a poor film, it’s instead one that never quite takes off; exceptional […]