Amber Platel discusses why this book may be the perfect read for commencing the new University year.
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Amber Platel discusses why this book may be the perfect read for commencing the new University year.
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
Lina Stenman, a volunteer at Exeter’s Royal Albert Memorial Museum (RAMM), discusses the upcoming exhibition opening on 23 September.
Amy Rushton, Online Comment Editor, delves into her love for the Rossettis, the Pre-Raphaelite movement and the role of female art at this time
Gracie Moore, Arts and Lit editor, discusses her experience of an immersive exhibition.
Jasmine Aldridge shares her views on her favourite Japanese novel: Diary of a void
Joseph Terry, Print Sports Editor, delves into his favourite summer poem: Sea Fever by John Masefield.
Dexter Woolley sets the scene surrounding the creation of Frank O’Hara’s ‘The Day Lady Died’.
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Lucy Facer explores the intricacies of the twenty-first century minimalist movement
Amber Platel discusses why this book may be the perfect read for commencing the new University year.
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
Lina Stenman, a volunteer at Exeter’s Royal Albert Memorial Museum (RAMM), discusses the upcoming exhibition opening on 23 September.
Amy Rushton, Online Comment Editor, delves into her love for the Rossettis, the Pre-Raphaelite movement and the role of female art at this time
Gracie Moore, Arts and Lit editor, discusses her experience of an immersive exhibition.
Jasmine Aldridge shares her views on her favourite Japanese novel: Diary of a void
Joseph Terry, Print Sports Editor, delves into his favourite summer poem: Sea Fever by John Masefield.
Dexter Woolley sets the scene surrounding the creation of Frank O’Hara’s ‘The Day Lady Died’.
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Lucy Facer explores the intricacies of the twenty-first century minimalist movement
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