How exactly does one adapt a play for a modern audience without losing too much of the flavour of the original? Frequently termed the female Hamlet, Hedda Gabler certainly has …
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How exactly does one adapt a play for a modern audience without losing too much of the flavour of the original? Frequently termed the female Hamlet, Hedda Gabler certainly has …
Haunting backlights, dark silhouettes and convicting voiceovers – the implications of deeper truths and knowledge are hardly deficient in Bawren Tavaziva’s Izindava. The dancers took me on an intense journey …
Twelfth Night has always been one of Shakespeare’s most memorable and fun-filled comedies. The Globe’s most recent production definitely fulfils that legacy, albeit with a much stronger emphasis on the …
Broadcast live from the Young Vic theatre, Simon Stone’s reworking of Federico García Lorca’s play, Yerma, can be summed up in two words; brutally chaotic. These words, however, are by no …
It was a Friday night and, in true British fashion, the rain had not stopped. I was debating whether or not the show I needed to attend would be worth …
Tom Wells’ charmingly eccentric comedy-drama has been taken on by EUTCO, and it’s safe to say that the theatre company has done the play justice. The play explores themes of …
In a rare spell of unusual sunshine, I found myself walking with my housemates to the Quay to witness probably the best band in the world (if you didn’t catch …
Online Arts and Lit Editor, Ellie Cook, shares her thoughts on Theatre With Teeth’s brand-new take on one of literature’s towering figures.
UoE Shakespeare Society’s staging of Much Ado About Nothing opens with verve: May Macleod, who plays Audrey, sings in the dim red-purplish light of what could be the club room …
I ought to preface this review with the statement “I do not speak any German”. Although one of my personal goals for my year abroad is to learn German, at this …
How exactly does one adapt a play for a modern audience without losing too much of the flavour of the original? Frequently termed the female Hamlet, Hedda Gabler certainly has …
Haunting backlights, dark silhouettes and convicting voiceovers – the implications of deeper truths and knowledge are hardly deficient in Bawren Tavaziva’s Izindava. The dancers took me on an intense journey …
Twelfth Night has always been one of Shakespeare’s most memorable and fun-filled comedies. The Globe’s most recent production definitely fulfils that legacy, albeit with a much stronger emphasis on the …
Broadcast live from the Young Vic theatre, Simon Stone’s reworking of Federico García Lorca’s play, Yerma, can be summed up in two words; brutally chaotic. These words, however, are by no …
It was a Friday night and, in true British fashion, the rain had not stopped. I was debating whether or not the show I needed to attend would be worth …
Tom Wells’ charmingly eccentric comedy-drama has been taken on by EUTCO, and it’s safe to say that the theatre company has done the play justice. The play explores themes of …
In a rare spell of unusual sunshine, I found myself walking with my housemates to the Quay to witness probably the best band in the world (if you didn’t catch …
Online Arts and Lit Editor, Ellie Cook, shares her thoughts on Theatre With Teeth’s brand-new take on one of literature’s towering figures.
UoE Shakespeare Society’s staging of Much Ado About Nothing opens with verve: May Macleod, who plays Audrey, sings in the dim red-purplish light of what could be the club room …
I ought to preface this review with the statement “I do not speak any German”. Although one of my personal goals for my year abroad is to learn German, at this …
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