Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
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Owen Peak reviews Almodóvar’s poignant exploration of friendship and mortality in ‘The Room Next Door’.
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Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
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Owen Peak Uncovers the Power of Animation: Breaking Age Stereotypes in Film.
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Joseph James dissects the dark layers of Joker: Folie à Deux.
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Joseph James reviews ‘Megalopolis’, focusing on its narrative complexity and thematic elements.
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Eve Shankland explores the growing trend of female actors becoming directors and reshaping the industry.
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Anna Jones discusses the irony and misogyny surrounding Barbie’s Oscar nominations.
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Maya Fernandes praises Oscar nominated The Holdovers, discussing the distinctly nostalgic and warming atmosphere, as well as the performances of the unlikely trio.
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Sarah Gould has much praise for One Life, noting the brilliant performances, and discussing the incredible true story the film is based on.
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Eloise Grainger discusses Sofia Coppola’s Priscilla, praising the visual style of the film, as well as actor Cailee Spaeny’s performance.
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Charlie McCormack reviews the critically acclaimed ‘Poor Things,’ addressing it as a feminist adaptation of Shelley’s ‘Frankenstein.’
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Lucas Marsal discusses the 2020 Danish feature, Druk (Another Round), praising the themes, casting, and cinematography.
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