Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Victoria White discusses the impact of the new Netflix series ‘Monsters: The Lyle and Erik Menendez Story’ on the recent resentencing of the case.
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Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
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Flora Runnacles reviews the new Netflix romcom TV show, ‘Nobody Wants This’.
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Rhianne Talling examines Emily in Paris and its appeal as a lighthearted escape from reality.
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Eloise Grainger examines the relevance of traditional TV shows in a streaming-dominated world.
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Jay Weaver reviews the next installment in the Alien franchise, ‘Alien: Romulus’.
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Rayna Copplestone reviews the new Netflix drama ‘The Perfect Couple’.
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Cora Jamieson praises the sequel to family-favourite Chicken Run, noting the references to other iconic films, and the inclusion of a varied host of regional accents.
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Mitchel Rowe discusses the emerging trope of the ‘bleak girl’, addressing how feminine people want to see real reflections of gritty, complex female characters on the screen.
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Alexander Howells takes us through the most (and least) anticipated films of 2024.
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Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
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Bronwyn Payne discusses Netflix’s Good Grief, praising the cinematography as well as noting the cliched displays of wealth.
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Daniel Eke discusses the newest film from Studio Ghibli, and notes the stunning visuals and themes of family.
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