Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Katie Matthews addresses the pins celebrities wore to the Oscars in support of a call for ceasefire in Gaza, and questions if it was enough.
Sarah Gould gives us the rundown of The Oscars.
Sam Bovey discusses the iconic trope of the Byronic Hero, assessing whether it is a positive representation for audiences.
Eloise Grainger discusses Sofia Coppola’s Priscilla, praising the visual style of the film, as well as actor Cailee Spaeny’s performance.
Charlie McCormack reviews the critically acclaimed ‘Poor Things,’ addressing it as a feminist adaptation of Shelley’s ‘Frankenstein.’
Lucas Marsal discusses the 2020 Danish feature, Druk (Another Round), praising the themes, casting, and cinematography.
Cora Jamieson praises the sequel to family-favourite Chicken Run, noting the references to other iconic films, and the inclusion of a varied host of regional accents.
Spotlighting a film from her hometown in Essex, Lisette Reed, Print Comment Editor, discusses the importance of honest portrayals of working class people.
Lauren Walsh, Print Arts and Lit Editor, discusses her love for the classic coming-of-age, and its importance when remembering to have fun once in a while.
Matthew Bowden offers a summary of the ongoing WGA and SAG-AFTRA strikes, including why the strikes are happening, and the potential impact on audience viewing.
Anna Kane, Online News Editor, discusses the wonderfully nostalgic and feel-good elements of the new Indiana Jones.
Remika Sirikulthada sings the praises of Christopher Nolan, and his mammoth, all-star biopic of J. Robert Oppenheimer.
Pollyanna Roberts delights in the magic of director Greta Gerwig, also noting how the perhaps ‘obvious’ feminist message unfortunately still rings very true.
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