Screen

Gracie Moore finds flaws but also promise and a change of approach to the first half of Netflix’s smash hit show

Dexter Woolley provides an intriguing take on what the fake kiss in Netflix’s You People means for the wider question of intimacy in cinema, as well its significance to the medium

Niamh Cherrett gives a rundown of this year’s Oscar nominations, remarking on the award’s shocking lack of female directors

Lisette Reed examines the career of Jodie Comer so far, starting from her breakout role in My Mad Fat Diary to acclaimed performances in Killing Eve and Free Guy

Lauren Walsh gives an excellent, whistle-stop tour of Studio Ghibli’s films and history. A must-read.

Emily Roughton gives her take on the long-awaited Knives Out sequel she believes outwits its predecessor