Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Maya Fernandes praises Oscar nominated The Holdovers, discussing the distinctly nostalgic and warming atmosphere, as well as the performances of the unlikely trio.
Sarah Gould has much praise for One Life, noting the brilliant performances, and discussing the incredible true story the film is based on.
Eloise Grainger discusses Sofia Coppola’s Priscilla, praising the visual style of the film, as well as actor Cailee Spaeny’s performance.
Katie Matthews explores fan favourite New Girl, the perfect easy watch for fun entertainment.
Katie Matthews discusses the new Netflix documentary series, noting how the emphasis on entertaining theatricality may have overshadowed its somewhat lacking educational properties.
Kayleigh Swart explores long-time favourite How I Met Your Mother, a show both critically acclaimed and critiqued.
Eloise Grainger summarises some exciting films coming out before the end of the year, including a highly anticipated addition to the Hunger Games franchise, and a Christmas action film.
Netflix’s adaptation of the Addams Family franchise is an entertaining, nostalgia-filled triumph, finds Lisette Reed
Orianna Xu immerses herself in Park Chan-wook’s latest offering a Hitchcockian visual mystery boasting a terrific leading performance from Tang Wei
Despite its historical inaccuracies, Shagnick Bhattacharya has a good time with this historical action drama, led by an excellent Viola Davis
Jess Cadogan sings the praises of Sebastian Lelio’s psychological thriller The Wonder, with Florence Pugh giving a reliable excellent performance
Shagnick Bhattacharya can find no faults with Netflix’s reimagining of the anti-war classic
Harry Styles nearly jeopardises Amazon’s adaptation of My Policeman, which Lisette Reed enjoys for its mostly strong performances and direction
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