Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Bronwyn Payne discusses Netflix’s Good Grief, praising the cinematography as well as noting the cliched displays of wealth.
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Daniel Eke discusses the newest film from Studio Ghibli, and notes the stunning visuals and themes of family.
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Kayleigh Swart, Print Screen Editor, discusses the new Wonka film, praising its actors and world-building.
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Daniel Eke explores director Ken Loach’s most recent, and rumoured last, film: The Old Oak.
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Amy Rushton, Online Comment Editor, discusses the hilarious high-school comedy Bottoms, and its importance in queering the genre.
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For Black History Month, Jess Cadogan, Online Screen Editor, explores the brilliant filmography of Jordan Peele – especially noting his fantastic mixing of comedy and horror.
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For Black History Month, Ellie Turner discusses film and documentary maker Ava DuVernay, highlighting her importance in educating the masses on systemic racism in America.
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Gracie Moore finds some enjoyment in the latest instalment of the Jurassic World franchise, even if it doesn’t come close to Spielberg’s original
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Matthew Bowden finds that Adam Sandler’s amiable, committed performance slightly elevates Hustle beyond the run-of-the-mill sports drama
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Archie Lockyear again shows his love for Better Call Saul in his review of the second half of the show’s season finale
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Matthew Bowden, Screen Editor, struggles to find much to enjoy in Brad Pitt’s latest star vehicle, Bullet Train.
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With incredible costuming and a remarkable lead performance, Gwenillian praises Luhrmann’s Elvis biopic.
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Venice Film Festival 2022 Lineup: Baumbach, Aronofsky, Guadagnino, and more
Screen Editor Harvey Isitt breaks down this year’s Venice Film Festival line-up after this week’s unveiling
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