Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Jess Cadogan, Online Screen Editor, talks with director Sarah Drummond about making her new documentary, growing up under Section 28, and the need for education around the clause.
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Eloise Grainger, Print Sport Editor, steps into the driver’s seat for a review of Ferrari, that will make you want to learn all there is to know about Enzo Ferrari.
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Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
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Katie Matthews explores the trope of the ‘bitch’, referencing icons like Blair Waldorf and Miranda Priestly.
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For Black History Month, Lachlan Evans discusses the incredible Barry Jenkins – a filmmaker to be celebrated all year round.
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Dumebi Jibunoh explores Bong Joon-Ho’s incredible 2003 crime thriller, especially noting the character depth, and the expert storytelling.
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Mitch Rowe discusses Pixar’s new film, Elemental, and notes the film’s use of social-issue themes.
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Archie Lockyer recaps the first seven episodes of the wildly popular Breaking Bad prequel, as “Slippin” Jimmy McGill completes his transition into Saul Goodman
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Norwegian director Joachim Trier’s heady, heartfelt tale of a young woman’s journey through her 20s is a future classic, featuring a generational performance from Renate Reinsve
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Matthew Bowden, Screen Editor, delves into why Spiderhead ultimately disappoints and fails to live up to its potential.
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Possessing more than enough charm, warmth and high-octane thrills to rival the original, Top Gun: Maverick proves that it is far more worthwhile than a nostalgia-focused cash grab
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Mahnoor Imam concludes her Volume One breakdown series with its climactic mid-season finale. A must-read before Friday!
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Mahnoor Imam continues her breakdown series with episodes 5-6 along with the latter’s shocking cliffhanger ending.
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