Archie Lockyer reviews Aaron Sorkin’s latest film The Trial Of The Chicago Seven.
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Reviews
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Maggie John reviews the remake of Rebecca, a film originally adapted by Hitchcock from Daphne Du Maurier’s novel, Rebecca.
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Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
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Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
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Max Shepherd finds the new Netflix chess series, The Queen’s Gambit, to be anything but black and white
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Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
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Maggie John reviews Netflix’s new series Emily in Paris
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Molly Jones finds Ratched, the new thriller series from Netflix, to be a mixed bag of excitement, gore, and cliché
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Charlie Kauffman reappears on the scene with his new film I’m Thinking of Ending Things. Matthew Boden gives us his thoughts on the new Netflix Original.
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Review: Tenet Christopher’s Nolan’s time-bending, cinema-saving epic has finally hit cinemas, but is it good enough…
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Archie Lockyer reviews Aaron Sorkin’s latest film The Trial Of The Chicago Seven.
-
Maggie John reviews the remake of Rebecca, a film originally adapted by Hitchcock from Daphne Du Maurier’s novel, Rebecca.
-
Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
-
Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
-
Max Shepherd finds the new Netflix chess series, The Queen’s Gambit, to be anything but black and white
-
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
-
Maggie John reviews Netflix’s new series Emily in Paris
-
Molly Jones finds Ratched, the new thriller series from Netflix, to be a mixed bag of excitement, gore, and cliché
-
Charlie Kauffman reappears on the scene with his new film I’m Thinking of Ending Things. Matthew Boden gives us his thoughts on the new Netflix Original.
-
Review: Tenet Christopher’s Nolan’s time-bending, cinema-saving epic has finally hit cinemas, but is it good enough…
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