The extent to which you’ll enjoy Molly’s Game, the directorial debut of screenwriting icon Aaron Sorkin,…
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There’s a dryness to the musical biopic. They’ll noodle through the same beats: childhood, fame, decline,…
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In a year saturated with reboots, sequels, and adaptations (44 of them hit cinemas this year,…
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It was with a tremendous surprise to me that, when researching Love Actually, I found that…
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With Darkest Hour, director Joe Wright thrillingly illustrates the political side of Christopher Nolan’s Dunkirk by…
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Hugo is a bit of an oddball in Martin Scorsese’s canon of work. Audiences are most…
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Earlier this year, amid the clutter and noise of the awards season, one especially beautiful film…
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Tommy Wiseau makes strange movies. Let me rephrase. Tommy Wiseau directs strange movies. What’s the difference? It’s a…
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As someone who is a huge fan of the first Paddington film, I had high hopes…
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It’s a warm summer’s day in a beer garden, two men, who until now were at…
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The extent to which you’ll enjoy Molly’s Game, the directorial debut of screenwriting icon Aaron Sorkin,…
-
There’s a dryness to the musical biopic. They’ll noodle through the same beats: childhood, fame, decline,…
-
In a year saturated with reboots, sequels, and adaptations (44 of them hit cinemas this year,…
-
It was with a tremendous surprise to me that, when researching Love Actually, I found that…
-
With Darkest Hour, director Joe Wright thrillingly illustrates the political side of Christopher Nolan’s Dunkirk by…
-
Hugo is a bit of an oddball in Martin Scorsese’s canon of work. Audiences are most…
-
Earlier this year, amid the clutter and noise of the awards season, one especially beautiful film…
-
Tommy Wiseau makes strange movies. Let me rephrase. Tommy Wiseau directs strange movies. What’s the difference? It’s a…
-
As someone who is a huge fan of the first Paddington film, I had high hopes…
-
It’s a warm summer’s day in a beer garden, two men, who until now were at…
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